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The challenge of globalization and the "decolonization" of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the "Global turn"-a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books-we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieusfatcat:ccws2vhk5bd6jn7oomanzx63qa