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New attention towards the ancient Church chant is especially on time in today's Ukraine, where the renewed autocephalous Church is entering the global Christian community, looking back at its own historical and liturgical roots and trying to overcome the stereotypes about its tradition. The present article deals with the myths of different Christian musical traditions concerning themselves and their neighbors. Such myths implicitly express the yearning for the lost unity of the Church anddoi:10.21847/1728-9343.2019.5(163).180794 fatcat:fchqb7rpmzchtfxjsmjorgmdda