In the elaborate description which Pausanias gives of the throne of the Olympian Zeus, few parts have given rise to so much discussion and so much difference of opinion as the paintings by Panaenus, the brother of Phidias. It has been disputed both where they were placed, and how they were arranged.It is the aim of the present paper to propose a new composition for this series of paintings, and, by doing so, to justify an old and recently somewhat discredited view as to the position in which

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... y were placed. The cuts which are added serve to illustrate this new suggestion and to make clearer its advantages over those which have been previously made. The restoration of one side (p. 240), which has been very kindly drawn by a friend, must not, of course, be taken as an attempt to reproduce exactly the designs of Panaenus. But, since the groups or the figures that compose them are derived from fifth century works of Greek art, they may well give us a notion of the conditions, as to space and balance of figures, that determine the whole composition; and these conditions may be applied with some confidence, when we remember how closely even the greatest artists of this period often adhered to the accepted scheme for any group or subject.