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This research investigates the music-theatre phenomenon for the purpose of: clarifying how that differs from more traditional forms of musical theatre, i.e., Opera and Broadway musical; discussing its aesthetic bases; explicating its modes of operation in relation to both music and theatre. The writing is structured in three main parts. The first concern of the discussion is to clarify the connection between music and performance. To that end, Part One starts by reflecting on the nature ofdoi:10.18745/th.14324 fatcat:3lb2kzdb6jgfnkytechgzdtsay