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The paper studies the phenomenon of synesthesia as an aesthetic category, adopted in Philosophy and Psycholinguistics, and as an aesthetic component of figurative contexts, semantically connected with a sphere of music in Hoffmann, Bulgakov and Sьskind's novels. The synesthesia is realized as implementation of an interperceptional associative thinking, connected with the category of an artistic aesthetic perception. The term "aesthetic synesthesia" is used as the definition for intermodaldoi:10.18007/gisap:ps.v0i8.950 fatcat:bwwf3h4x5rdmvdazp5osis2m3y