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Part Two: The Film Experience
[chapter]
2019
The Structures of the Film Experience by Jean-Pierre Meunier
We have tried to explain the major principles that should guide our understanding of the general phenomena of perception and identification. It has thus become easier to broach the problems relating to the particular case of the film experience. We should rapidly recognize the path we are going to take. Film presents itself above all as an object of perception and, as such, it is a structure, a perceptual 'gestalt.' It is thus as a form, or a 'gestalt' that we will initially envisage film. But
doi:10.1515/9789048537846-005
fatcat:cijvgic4fnhkzeup2cwjs7m6mq