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Controversial films like Stanley Kubrick's A Clockwork Orange represent a challenge for current theories of emotion elicitation. Combining theories of emotional appraisal, film comprehension, and the formal analysis of film, this article outlines a model of audiovisual responses to films that distinguishes between four levels of information processing and corresponding emotional reactions: 1. the perception of images and sounds triggers perceptual affects, sensations, and moods; 2. thedoi:10.3167/proj.2008.020205 fatcat:vmgd7wgcrjekxcph3allc4r5hm