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The primary goal of this essay is to provide a comprehensive overview and analysis of the various relations between material artifacts and the embodied mind. A secondary goal of this essay is to identify some of the trends in the design and use of artifacts. First, based on their functional properties, I identify four categories of artifacts co-opted by the embodied mind, namely (a) embodied artifacts, (b) perceptual artifacts, (c) cognitive artifacts, and (d) affective artifacts. Thesedoi:10.1111/tops.12549 pmid:34081417 fatcat:72fm55m4fzayvaqvr4uc3aggvy