Extending Notation Through Embodied Research

Solomiya Moroz
2020 Zenodo  
Through engagement with embodied research, I challenge the use of notation as part of the 'paradigm of reproduction' [1] in which notation plays a central role in the musical work concept. In my work, I propose new collaborative methods which place an accent on performers' response and embodied memory, thus I anchor the idea of a work with collaborators of my projects in addition to any other methods of mediation such as a notated score. In this paper, I would like to discuss two of my latest
more » ... two of my latest works, On Fragments and Motion Studies, which rely on performers' embodied memory in order to execute the works.
doi:10.5281/zenodo.4105965 fatcat:2kw6r6zf5razhfungnyujutnqa