Facial performance synthesis using deformation-driven polynomial displacement maps

Wan-Chun Ma, Andrew Jones, Jen-Yuan Chiang, Tim Hawkins, Sune Frederiksen, Pieter Peers, Marko Vukovic, Ming Ouhyoung, Paul Debevec
2008 ACM SIGGRAPH Asia 2008 papers on - SIGGRAPH Asia '08  
Motion capture Deformed Adding medium Adding high Ground truth markers neutral mesh frequency displacements frequency displacements geometry Figure 1 : We synthesize new high-resolution geometry and surface detail from sparse motion capture markers using deformation-driven polynomial displacement maps; our results agree well with high-resolution ground truth geometry of dynamic facial performances. Abstract We present a novel method for acquisition, modeling, compression, and synthesis of
more » ... tic facial deformations using polynomial displacement maps. Our method consists of an analysis phase where the relationship between motion capture markers and detailed facial geometry is inferred, and a synthesis phase where novel detailed animated facial geometry is driven solely by a sparse set of motion capture markers. For analysis, we record the actor wearing facial markers while performing a set of training expression clips. We capture real-time high-resolution facial deformations, including dynamic wrinkle and pore detail, using interleaved structured light 3D scanning and photometric stereo. Next, we compute displacements between a neutral mesh driven by the motion capture markers and the high-resolution captured expressions. These geometric displacements are stored in a polynomial displacement map which is parameterized according to the local deformations of the motion capture dots. For synthesis, we drive the polynomial displacement map with new motion capture data. This allows the recreation of large-scale muscle deformation, medium and fine wrinkles, and dynamic skin pore detail. Applications include the compression of existing performance data and the synthesis of new performances. Our technique is independent of the underlying geometry capture system and can be used to automatically generate high-frequency wrinkle and pore details on top of many existing facial animation systems.
doi:10.1145/1457515.1409074 fatcat:jilsyaoeh5drxk743q4alvofiu