Don Giovanni

Mark Jones
1990 Psychiatric bulletin of the Royal College of Psychiatrists  
In the second of this occasional series, Mark Jones looks at Mozart and his 1788 masterpiece, Don Giovanni, and interviews Tom Sutcliffe, opera critic of The Guardian, about his views on this problematical work and its portrayal on the stage.
doi:10.1192/pb.14.7.417 fatcat:nwu42rc3pbh3jiiyhfhyraxzvm