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Performance Autoethnography of a Philippine Music Concert
2022
International Journal of Research Publications
This performance autoethnography sought to dwell upon meanings in a musical concert: "Waray Gad La" featuring well-loved folksongs of Leyte and Samar islands in the Philippines. It expressed my folk sensibility in spite of my experimentations in form mixing various genres that would give rise to hybridization, transformation, self-identity, cycles of emotions, emancipation, and vulnerability as concepts revealed in the autoethnographic analysis. While they embodied cultural representations,
doi:10.47119/ijrp100951220222908
fatcat:3g34vatdnjfqdh3gy5nbi7cb5y