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Die Historische Aufführungspraxis im Kontext der modernen Ästhetik
2010
unpublished
Preserved Fulltext
Following the debate on the modern character of early music, this thesis attempts to show the connections between the aesthetics of historical performance practice (HIP) and modernism, focussing on a comparison between the writings of Nikolaus Harnoncourt and Theodor W. Adorno.
doi:10.25365/thesis.11289
fatcat:73kfs7gevzhiff2dozycewqkgq