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Tuning in on the Becoming of Music
2021
Open Philosophy
In this article, I explore the music-in-becoming as a dialogue. The thesis of my inquiry is that during musical composition, the composer's listening is marked by both activeness and receptiveness; actively structuring the sounding work, and receptively letting the work express itself as it takes its form. Composer and work merge in sudden moments of attunement, the sensation of coherence between the so-fare completed and the anticipation of the as-of-yet unformed work. Composition is all about
doi:10.1515/opphil-2020-0168
fatcat:aauixerqrjc5xewtu5uocoe63u