Nikolaus Bacht studied at the Universities of Heidelberg and Mainz, and received his doctorate from King's College London in 2002 with a dissertation entitled 'Music and Time in Theodor W. Adorno'. He is currently Research Fellow at King's College Cambridge. His publications include the edited volume Music, Theatre and Politics in Germany: 1848 to the Third Reich, forthcoming from Ashgate, and articles in Perspectives of New Music ('Jean-François Lyotard's Adaptation of John Cage's

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... Acta Musicologica ('Enlightenment from Afar: The Analogy of Myth and Music according to Claude Lévi-Strauss') and Die Musikforschung ('L'artisanat furieux und sein Modell: Vergleichende Analyse von "Der kranke Mond" aus Arnold Schönbergs Pierrot lunaire und "L'artisanat furieux" aus Pierre Boulez' Le marteau sans maître').