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In the last years mass tourism has become, alongside with previous forms constituting 'exhibitionary complex' (Bennett 2004) , an element affecting the formation of cultural institutions. The present analysis is based on four examples of grand post-military objects (established in the 19th and 20th centuries) transformed with the use of diverse techniques and now serving functions of a non-military character. The common denominator of the post-military territories presented in the text is thedoi:10.21104/cl.2019.4.04 fatcat:j4p3srn5rrb67hqcnfyln735gy