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an art form) and the materiality of the film (see Arnheim 2003 Arnheim ] ). Recently, Bruno Latour's actor network theory has been discussed as a method for delineating the practices of the creation of documental films (see Weber in this journal). Thus documental films can be discussed on the level of content, form, and production. Currently, there is such a variety of styles and forms of documental films that is difficult to maintain an overview. These different styles and forms aredoi:10.4119/indi-980 fatcat:nnsqlxgl5fdvno6v54phk3yb2u