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Voice And Stream: Perceptual And Computational Modeling Of Voice Separation
2008
Music Perception
LISTENERS ARE THOUGHT TO BE CAPABLE of perceiving multiple voices in music. This paper presents different views of what 'voice' means and how the problem of voice separation can be systematically described, with a view to understanding the problem better and developing a systematic description of the cognitive task of segregating voices in music. Well-established perceptual principles of auditory streaming are examined and then tailored to the more specific problem of voice separation in
doi:10.1525/mp.2008.26.1.75
fatcat:tqi7kbpi75ewfaivf7e3isp6oa