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Knowing in Performing
The moment is ripe to activate new models and proposals for how arts organizations can flourish in the present climate and into an uncertain future. Can we begin to think of ourselves, rather than stagers of plays, as orchestrators of social interactions in which a performance is a part, but only a fragment of that interaction? Can we develop communities of individuals who are participants of an ongoing dialogue?« Anne Bogart, amerikanische Regisseurin und Theaterprofessorin (Bogart 2014, 2)doi:10.14361/9783839452875-011 fatcat:bgij4v47zfdjrpza4uein5cq4a