Theatre Vancouver

Nirbhai Singh Virdi
Theatres have existed throughout the human civilization as places of artistic expression and leisure. Throughout various Western cultures such as the Greek, Roman, Italian and Shakespearean etc., different theatre forms emerged. The essence of the theatre lies in the actor to audience relationship. With the invention of motion pictures, part of the theatre talent (actors, directors and technicians, etc.) switched to the motion picture industry and a further change took place with the more
more » ... invention of television in 1927. Each industry thus created became a self-supporting form of art and the process strengthened the parent art due to competition and public demands for higher performance standards. I decided to design a theatre for Vancouver that satisfies the needs of the community. There are a number of variables that govern the design of a theatre such as: the needs of the local community as to the size and type of a theatre dictate the seating capacity and its functional usage (drama, opera, orchestra or multipurpose, etc.); economics dictate the administrative and technical structure and space-needs; and the desired actor to audience relationship dictate the stage design and seating layout. To establish a design program (space needs) a questionnaire was prepared and a number of persons connected with theatre arts were interviewed for comments and suggestions. The questions were designed to explore needs for - type of theatre, seating capacity, actor to audience relationship, orchestra size, public areas, stage design, workshop spaces, actors' accommodation, administrative organization, mechanical services and possibilities of an open-air-theatre, etc. A site for the proposed theatre was selected by establishing criteria for site selection and then testing a number of possible sites in the city against these criteria. Some of the criteria were: accessibility by car, rapid transit access, land costs, parking availability, site area, population distribution and proximity of buildings of other cultu [...]
doi:10.14288/1.0094047 fatcat:f74o43zntvaxngmzeswpkfnecq