Godhet og galskap

Sigrid Røyseng
2009 Peripeti  
Compared to the performing arts institutions, the non-institutional performing arts have a relatively marginal position in the Norwegian public cultural policy. This article explores if the reason for this is that the non-institutional performing is associated with an amoral that does not fit well with the regime of goodness in cultural policy.
doi:10.7146/peri.v6i12.107700 fatcat:6gprk7qyxvgdpfzmn3wpqehore