The aim of this article is to discuss the notion of vulnerability and suffering as an aspect of animal bodily existence that, despite its negative connotations, is a highly interesting point of convergence for human-animal studies and the branch of aesthetics concerned with the interplay of individual and collective affectivities in the works of art. Arguing for theexistence of a cross-species community of affect, the author bases her analyses on Judith Butler's ontology of precariousness and

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... eks to establish a vital connection between the political and social experience of vulnerability on the one hand, and rituals of mourning inspired by compassion on the other. The argument points to the possibility of charting new trajectories of affect in political praxis and art which do not only establish a cross-species community of suffering, but also bridge the gap between humans and animals as religious subjects, which is conceived here as a profoundly emancipatory gesture.