A copy of this work was available on the public web and has been preserved in the Wayback Machine. The capture dates from 2014; you can also visit the original URL.
The file type is application/pdf
.
Integrating art historical, psychological, and neuroscientific explanations of artists' advantages in drawing and perception
2007
Psychology of Aesthetics, Creativity, and the Arts
Art historians, artists, psychologists, and neuroscientists have long asserted that artists perceive the world differently than nonartists. Although empirical research on the nature and correlates of skilled drawing is limited, the available evidence supports this view: artists outperform nonartists on visual analysis and form recognition tasks and their perceptual advantages are correlated with and can be largely accounted for by drawing skill. The authors propose an integrative model to
doi:10.1037/1931-3896.1.2.80
fatcat:ghbmoa7xpzfrpkijs7yxnaiseu