True Crime

Charlotte Beyer
2017 American, British and Canadian Studies Journal  
This poem is a creative response to contemporary true crime narratives about baby farming in Victorian times, namely Alison Rattle and Allison Vale's The Woman Who Murdered Babies for Money: The Story of Amelia Dyer (London: André Deutsch, 2011); and the TV documentary, "Amelia Dyer: Martina Cole's Lady Killers."
doi:10.1515/abcsj-2017-0009 fatcat:gfs6yumq7nfajpowowjl2rg33e