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Temps, Espace et la Eeprésentation de la Subjectivité Dans les Films de Wong Kar-wai
2006
Contemporanea : Revista de Comunicação e Cultura
Given the importance of the filmmaker Wong Kar-wai not only in the panorama of the cinema of Hong Kong, but in the contemporary cinematographic production as a whole, this paper proposes an analysis of his work concentrated on the problem of the identity of his characters. What we may call the «wongian subject" can be analyzed through various elements such as the tension between past, present and future, the relationship to public and private space, the changes of the perception of time and
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