Ring on! Sweet Angelus. Arranged as a Vocal Duet [review-book]

1869 The Musical Times and Singing Class Circular  
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more » ... out Early Journal Content at http://about.jstor.org/participate--jstor/individuals/early-journal--content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not--for--profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact support@jstor.org. 646 Duet. tThis will be found very eDccellent practice for the young player; the Secondo, although confined to the five note6, having passages of imitation which will reqliire a clear touch, and compel a rigid attention to the preci6e length of the notes and reste * a matter too much neglected but of the utmost importance in early musical triDg. In conclusion, we confidently recommend these Duets to the attention of Pianoforte teachers, for they will undoubtedly prol7e interesting to themselves as nvell as to their pupils. B7ith such aumirable proofs of the unimpaired power6 of the composer of these trifles, we may hope that he will frequently turn his attentiorl to writingfor we are certain that whatever he give6 us will be fully worths of a reputation which he has so rlobly earned and so honourably maintained. Gza la Notte s'avtsicin. Talse , per Voce di Mezzo Soprano. Fra urz Volce Delarob Valse. Parole di Metastasio Cada zI tiw snno Seyno d'Amore. Valse. Parole di Metastasio. l!Gel JIi? czrvi O Boschi. Arietta. Composed by Rosario Aspa. THE three vocal waltzes, by Signor A6pa, are e2rcellent specimens of light and elegant writing * arld will be found invaluable to all who can throw offthis style of music with that playfulness and vivatity which it demands. " Gia la Notte " is extremely simple in construction. The melody is catching; and the pianoforte accompaniment mo6t eSectivel woven in with the voice throughout. "Fra un Dolce Deliro " is also a plea6ing ulelody; and contains a changc to the subdominant and its relative minor, which forms a most agreeable relief. " Cada il tiranno," requires somewhat more passion in the vocalist; but with a good singer, it cannot fail to produce an effect. " Nel Mirarvi," is a beautiful song, which we collscientiously recommend to all who desire a refinedt and thoroughly musicianlike composition. The pedal on G, with the short phrases for the voice, and holding notes in the accompaniment is perfectly charming. We predict for this unpretending little Arietta a wide popularity * for it must please alike vocalist and audience wherever it is heard. AUGENER AXD CO. Afintstering Angels. Sacred Song. Words by Mrs Thomas Dodds. Where the weary are at rest. Sacred SODg. Words by Mrs. Thomas Dodds. Composed by William J. Youllg. BOTH these songs, although unpretentious in character are written with a feeling of devotion for the sacred nature of the poetry which will recomrnend them alike to executatlts and listeners. " Ministering Angels" is scarcely perhaps, as attractive as the second on our list, but it is e2cpressive, and may be made eSective by a singer who has learned to devote her voice to the true purposes of religious music. There i3 much character in the accom paniment; which although never interfEring with the melody, preserves an independence throughout which prevents the song from degenerating into mere common_ p]ace. " Where the weary are at rest," is, as we have said rather the better of the two songs * the melody being one which will please all listenels. Here the accompaniment appropriately flows with the voice-and the harmonies are as quiet a8 the subject demands. All who are search_ ing for sacred music which shall tas rather the poetical than the vocal, powers, will find these compositions precisely what they desire. METZLER AND CO. Ring on ! S?weet Angelus. Arranged as a Vocal Duet Composed by Charles Gounod. THIS favourite song unakes a most pleasing Duet: mors over it is eaFy both to play and sing. It i8 very slightly altered in the phrase at the end of each verse and the final " plagal " cadence makes a quaint termination * the effect as a duet being, perhaps, here be$ter than when it is sung as a solo.
doi:10.2307/3353731 fatcat:4cut2tya2rhbzce7pt5m2lsgyy