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In this thesis I compare discussions concerning the representability of modern capitalism with a group of television programs that I term the fantastic detective serial. The theoretical problems hinges on a shift in capital's perceived representability. I survey texts in modern Marxist media studies that are studying the transition from physical capital to immaterial global capitalism and how that affects the subject. The primary tension that I explore in the literature is the claim thatdoi:10.11575/prism/38228 fatcat:goxoiahvjzdythfhduzudsqbqa