A copy of this work was available on the public web and has been preserved in the Wayback Machine. The capture dates from 2017; you can also visit the original URL.
The file type is application/pdf
.
"And all the windows, great and small". Finestre in Nightwood di Djuna Barnes
2015
As a recurring subject and powerful symbol, the window dominates the female literary and artistic imagery of the twentieth century. It has been developed into mirror, photograph or painting, according to the writer's needs, yet the basic shape of the frame is always retraceable. Among late modernist and postmodernist women writers, Djuna Barnes explores in detail the structural resources of this literary device. Although she already understands the potential of the frame in her early career as
doi:10.13130/2035-7680/4655
fatcat:u6ekb4l2cfepdbtqubgmsr4sz4