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Pushing at the boundaries of the body: Cultural politics and cross-gender dance in East Java
2009
Bijdragen tot de Taal-, Land- en Volkenkunde
One of the most fruitful activities of my field research on dance and gamelan music in the East Javanese regency of Malang 1 from 2005 to 2007 was attending live performances with my teachers. 2 Those occasions were key learning experiences: my teachers explained playing techniques of the various instruments, expounded upon conventions of dance movement, and, to my delight, sometimes took me to sit and play with the musicians who were accompanying the dancers. During performances they also
doi:10.1163/22134379-90003629
fatcat:p3ohy4no2fd7lgx6nctrklyeyy