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The Scenography of Serpotta Stuccoes Revisited - Material and Form
2016
The material that lies beneath the smooth shining surface of the stuccoes of the Serpotta family who used to work in Sicily from 1670 to 1730, has been thoroughly studied in previous papers, disclosing the deep, albeit empirical, knowledge of materials science that guided the artists in creating their masterpieces. In this work, attention is focused on the solid perspective and on the scenographic sculpture by Giacomo Serpotta, who is acknowledged as the leading exponent of the School. The
doi:10.6092/issn.1973-9494/6182
fatcat:fdkqr2mc7bgvxoa3fsbc2xmejy