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EXPERIMENTAL ELECTRONIC MUSIC AND THE UNDERGROUND IN THE SAN FRANCISCO BAY AREA
2013
unpublished
i iii and beyond stimulating conversation; Anthony Braxton, for his endless optimism, exceptional spirit, and belief in my work; and Paula Matthusen, whose dedication, creativity, and energy continues to inspire me. I wish to additionally thank Dr Matthusen for allowing me to participate in and contribute work to the first incarnation of Toneburst, Wesleyan's Laptop Ensemble. I wish to thank Deb Shore and Sandra Brough for their diligence in running the administrative aspects of the music
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