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This article presents a discussion of the literary fragment and introduces the work of Olivia Dresher, an American anthologist, musician, and diarist, who has adopted Twitter as support for her intimate writings as of 2009. This preamble works as background to the exclusive interview with the writer reproduced here, through which we learn about Dresher's formative years, her thoughts about the fragment, and the implications of writing on social media. The article highlights the relationshipdoi:10.5752/p.2358-3428.2022v26n56p102-112 fatcat:ecjzlj5nxjaqlblq53hphb5w2a