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The Method behind the madness: Katie Mitchell, Stanislavski, and the classics
2014
Classical Receptions Journal
General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/pure/about/ebr-terms The Method Behind the Madness: Katie Mitchell, Stanislavski, and the Classics Abstract Scholars frequently debate the applicability of contemporary theatre theories and acting techniques to Greek tragedy. Evidence both for and against such usage, however, is usually
doi:10.1093/crj/clu022
fatcat:qto3a2saazayfozjaephogrwdm