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The Name of the Rose: Novel, Film, TV Series between Intermediality and Transmediality
2020
Punctum International Journal of Semiotics
We will consider the diverse strategies of adaptation employed in the case of Umberto Eco's celebrated novel The Name of the Rose (1980) by examining the intricate passage from Eco's novel to Jean Jacques Annaud's film (The Name of the Rose, 1986) and the new Italian TV series (The Name of the Rose, 2019 – on air). We will look for some translational 'continuities,' trying a comparative semiotic analysis of some novel sequences and the film and the TV series. Regarding the TV series, we will
doi:10.18680/hss.2020.0004
fatcat:6plcaknefbeutjo5ddpwlvn5uu