This work aims to address the theme of friendship war cinema, understood as one that includes all the variants of the word love, or what is the same, understood as the philía of the ancients. These narratives have the advantage that they raise the existence of social conflicts, the most violent is war, which in turn acts as generators of feelings and passions of all kinds. What is intended, then, is to make an analysis of the different philias in borderline situations for modern man.