Running walls: the performance of the limit in prison

Paolo Maccagno
2015 The Scottish Journal of Performance  
awareness, since, as Foucault notes, the experiential body can become a locus of resistance against normalising power. Through analysis of the Go Daddy! project, this paper considers how an art performance can be an experiment in the sense not of testing a hypothesis but of opening an exploratory path of inquiry into human life and a new way of conducting anthropology as a learning process -in other words, the possibility for art to be science.
doi:10.14439/sjop.2015.0202.03 fatcat:v7mjkdnw7ncyjn4umlgyxcmyy4