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A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade
2018
Taboo : The Journal of Culture and Education
This article examines Beyoncé's 2016 album Lemonade in the context of black feminist theory, misogynoir, and issues of black self-love. After a brief overview of the initial response to Beyoncé's album, this essay explores the deeper, metaphorical implication of Lemonade. This essay demonstrates that while Lemonade is ostensibly about marital infidelity, the trope of unfaithfulness is used to make a more profound commentary on the ontological crisis around blackness and black womanhood in
doi:10.31390/taboo.16.2.09
fatcat:qzn2ijqsfnas3ej7xylpj4fre4