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Dittmar's Turkish Ornamental Cabinet
2022
Manazir Journal
One of the most formative narratives of the reform movements around 1900 was a departure from earlier creative principles of imitation, now defamed as an inadequate approach. Thus, artists, architects, and designers were called upon to formulate freer approaches to artistic design. Precisely because this narrative of the new and the free, which had become a myth, excluded art of the later nineteenth century—which supposedly only imitated older styles—little attention was paid to how exactly the
doi:10.36950/manazir.2021.3.5
fatcat:bso7vijewvcf7cebf6o2hcci2q