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In this article, we will analyze the autofictional work of the French actress and now also writer of Burkinabe origin Roukiata Oedraogo, which includes her first novel, Du miel sous les galettes (2020) as well as the graphic novel Ouagadougou pressé (2021), published in collaboration with the cartoonist Aude Massot. This analysis will be carried out from a triple perspective: the female voices, the double temporality and spatiality between the present in the host country and the past in thedoi:10.25145/j.cedille.2022.22.06 fatcat:utkducs3brea7j3yfsuo43tovm