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The (ab)use of a highly scientific and quaintly specialised language characterises the American sitcom The Big Bang Theory as a geek-oriented production which, by means of its humorous multimodal discourse, seems to be addressed to a community of speakers who co-share the same lexicon, ideas and habits, i.e. mainly young nerds. However, while in the source text the humorous discourse is primarily construed around some geeky in-jokes, the Italian audiovisual dubbed product seems to completelydoi:10.1080/0907676x.2013.831922 fatcat:vrkr6zaknjhcddsrnc2k3cwu54