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The Ideographic Image of Tai Chi Chuan Movement score as a training resource for the actor
The conception of the actor as a living being who keeps his body engaged in a fictional time to create a scenic truth, is related to the real, present and above all trained body. This body, generator of signals meant to be understood by the observer, involves an inner understanding of signs and images that originate beyond its boundaries. The objective of this reflexive article is to propose a "form"2 type of Tai Chi Chuan as a limited and instinctive process, using its ideographic imagery as adoi:10.17151/kepes.2022.19.25.9 fatcat:lhant5u4pvdg7oei4m3xjysdaq