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The main objective of this article is to discuss a rethinking of knowledge production that involves the incorporation of artistic practice as one aspect of its methodology. The point of departure is still photography as one such practice, and the fact that it is almost entirely banished from mainstream social anthropological methodology and analysis. To acquire a new position for photography within social science research practice, a repositioning of both the researcher and the role of thedoi:10.1080/08949460801986145 fatcat:upcsi3nnwbhsxg4amt6o3frume