Staging Neoliberalism

Sebastián Calderón Bentin
2022 Performance Philosophy  
While the by now popular term "posttruth" remains, as Jayson Harsin and others argue, a contested and problematic concept, as a periodizing term it is useful in that it encapsulates collective anxieties and cognitive effects brought on by the increased commodification of knowledge, the marketization of political discourse, and the emergence of new economies and technologies of attention that fragment and destabilize relations of trust and authority across fields of inquiry (e.g. science and
more » ... cine), knowledge institutions (e.g. news and universities), and media technologies (e.g. video and photography) traditionally seen as arbiters of truth and facticity within the hegemony of Anglo-American liberalism. This paper considers the role of neoliberalism in the emergence of posttruth performance by reflecting on the work of public relations companies deployed in 2017 to promote the construction of a new power plant in New Orleans, as well as the work of the pro-Brexit campaign group Leave.EU in the run up to the 2016 referendum. Through these case studies the article demonstrates ways in which theater and performance studies can offer important critical tools with which to understand and dissect the structural conditions of posttruth in the twenty-first century.
doi:10.21476/pp.2022.71309 fatcat:dgj2f3367fgs5b7ftjq7dhpgse