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To each his own reality: how the analysis of artistic exchanges in Cold War Europe challenges categories
2017
How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the
doi:10.11588/artdok.00004920
fatcat:lg36ctzv2rahbab3susly7eeoi