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Jean Froissart's dits amoureux illustrate the ways in which Froissart plays with the layering and overlapping of textual voices, with memory, and with time, all of which are important in the construction of the text as an artefact and memoriala significant aspect of Froissart's relationship with writing. The tensions Froissart sets up between the singular and the universal, and between lived experience and poetic experience, produce poetic texts that play on the notion of « voice ». The « voicedoi:10.4000/crm.12522 fatcat:tajxkko7b5a7fkkmepobstcfwe