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Analysing Indian Ocean's Kandisa: a dialogue with decolonisation
2022
This article provides justification for the minority scholar trained in "elite" music analysis (my term) to apply voice-leading analysis to rock band Indian Ocean's fusion number Kandisa. In so doing, I find a meaningful new way to address decolonisation debates in music. Born and schooled in India, and now based in Ireland, I first reflect on recent tensions around music theory's white racial frame (Ewell 2020; Lavengood 2020) and ask what this means for a minority scholar whose non-luxury
doi:10.17613/0d7t-9e71
fatcat:lci2z7tubvbhfg4l2nzyfyar5y