This paper attempts to evaluate the historical anthropological process of self-fashioning performed by count Miklós Bethlen. In doing so, the aim of my interpretation is to delineate those cultural and historical contexts that influenced Bethlen's habit of constituting and fashioning a self in his ego-documents. Taking as a point of departure Bethlen's twofold liminality, I argue that he identified himself with the prototype of the early modern Calvinist martyr, so that he could provide an

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... nt of his life imitating the so called récit martyrologique as a narrative genre. Bethlen's self-fashioning displayed in his memoirs, letters and political projects, reveals his special commitment to Puritan theology and devotional culture as well.