La naturaleza en «Über die bildende Nachahmung des Schönen», de Karl Philipp Moritz

Jaime Aspiunza
<span title="2009-05-06">2009</span> <i title="Malaga University"> <a target="_blank" rel="noopener" href="https://fatcat.wiki/container/ix4wrxsjkbcs5e3f5ernyewgoa" style="color: black;">Contrastes: Revista International de Filosofia</a> </i> &nbsp;
ResumenSe analiza aquí detenidamente y se trata de entender el papel que la naturaleza tiene en el principal escrito estético de K. Ph. Moritz, escritor y teórico bastante olvidado durante largo tiempo, en España casi desconocido, cuyas ideas, sin embargo, vistas en la distancia, recobran una posible actualidad que conviene investigar. En este primer texto a ello dedicado me limito a leer dicho texto y a situar dicho concepto.Palabras claveNaturaleza, creación, autonomía de lo bello,
more &raquo; ... tThe aim of this paper is to carefully analyse and understand the role of Nature in the most important of the aesthetic writings by K. Ph. Moritz, a long-time neglected writer and thinker practically unknown in Spain, whose ideas may now regain modernity after a deserved closer study. In this first paper we just read the text and place the concept in context.KeywordsNature, creativity, autonomy of the beautiful, Being.
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