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The study identifies the necessity of opening new access paths towards the subtleties of Caragiale's texts for any type of reader, even though they are specifically aimed at the theatrical producers of his comedies. Renouncing the classic literary-dramatic analyses, we will investigate the abysmal psychology of the characters and their interrelationships on the paths of the popular etymologies, as symptoms of the inherent lack of culture for any category of impostors. Ostensibly preposterous indoi:10.46522/ct.2021.02.01 fatcat:76xoo2as6zh6dfd2t6dti3uthi