Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music

Ben Neill
2002 Leonardo Music Journal  
At this particular moment in the history of computer music, the flow of ideas between high art and popular art seems to have a particular significance. Indeed, the protective parapet that has long kept high art and popular art mutually exclusive seems to be showing signs of vulnerability. It seems that we are about to enter a new cultural architecture that we cannot yet describe; yet we are aware that technology is changing the world and that it will also change the world of computer music.
more » ... l Chadabe [1] Rhythm has always been the life of the party, and now, perhaps more than ever, it is the life of the art itself. -Jon Pareles [2]
doi:10.1162/096112102762295052 fatcat:vyhzthenrzgs7lkdnmnjhzjlga